THE LOOK Nils Labadie Photographs - 277Photo by - Nils Labadie / Presented by - SUDOR www.dmitryzhkov.com/photo/by - dmitryzhkov The eyeby - sandas04 in his shoesby - veftenie Untitled by - FotografajoSindikato sixth sense by - DRIVINGYOU Puppiesby - RolandW Hold meby - Photocolo
Damian ChrobakBorn in Jastrzebie Zdroj (Poland), Damian studied photography at Academy of Photography in Warsaw.After the first year he decided to look for a different direction and began his search for a photographyhe could really call his own. He came to London, where he completed a Black & White Photography courseat the University of the Arts London. Discovering street photography became a turning point in his life.Damian has been documenting London's streets life for the last few years with some great results.He had a few solo and group exhibitions in Poland as well as in England and last year he exhibitedas part of 5th European Month of Phothography in Berlin. In January 2010 he was honoured to receivea membership of ZPAF (Association of Polish Art Photographers).Damian is the main person behind the street photography group known as UN-POSED, which has been broughtto life in 2011 and one may get quite surprised uppon reading through the names...Best chance of meeting Damian would be a
FELIX LUPAFELIX LUPAAboutBorn in 1972 in the Ukraine, in the former Soviet Union. A second generation photographer, freelance since 1995, working with Israel's leading newspapers.Specialized in reportage, documentary and street photography, Felix Lupa has worked in social projects for magazines and Television and has taken part in many national and international exhibitions. Lately dedicated to street photography, his approach to the genre is to serve 'as "public eye", conveying to us messages of the street's wisdom. These are multifaceted, complex messages in which the senses work powerfully conveying at high velocity the feeling of decisive moments of street and human life. The ability to see and connect with human situations is like a basic instinct, like breathing, and the public eye is the medium through which the artist expresses his particular point of view'.websitehttp://www.felixlupa.comMember of Street Ganghttp://www.streetgangphotos.comAn international Street Photography col
WHERE STREET HAS NO NAMEStay tuned for smaller details.Now... hit the streets.
Street: The Weird and The Wonderful!Street PhotographyIt's been a while since my last Street feature.So here it is, a whole lotta weird and wonderful Street for your viewing pleasure!30 pure gems to be exact !!!No need to fave this journal, but do fave the featured photos instead (if you like them, of course)and don't forget to pay these talented photographers and their galleries a visit.
The Poetry of Street PhotographyStreet PhotographyStreet photography is a lot like writing poetry.Poetry, as you know, can be emotional, insightful, nonsensical and even outright hilarious.The same can also be demonstrated through Street photography.When I'm out on the streets, I always try to visually 'rhyme'the scene before my eye has even reached camera's viewfinder.I do the same when I'm selecting images to feature in my humble journals.Finding poetry in your surroundings is tantamount to successfulStreet Photography.But that's just my opinion. So before feasting your eyes on the scrumptious assortment of Street delights presented for yourviewing pleasure, please take a while to ponder and of course,share your thoughts in the comment box below on our...Question For The Day:There are many different aspects to Street Photography.
William Klein and the motion blurTwo masters of photography sign the entry of photography in contemporary art. Robert Frank's book "The Americans", and William Klein "New York" initiate a revolution: photography is seen as a break with the old school and their clean and perfect images (Cartier-Bresson, Doisneau, etc.): deframing, fuzzy, grain, movement and camera shake, strong contrasts.It adopts the lesson of Capa: "If your pictures are not good, it's because you're not close enough". Klein has imposed a style and a look to the "instinctive" photo. The reality is experienced with subjectivity as it is shown. Sometimes disturbing, sometimes violent. William Klein has said that blur is part of photography's own language. This picture below wouldn't have made the edit for a lot of street photographers working in 1961, or today, but he recognises that this is photography doing what only photography can do. It's part of the 'medium specificity' of the camera to signify movement in this way. In another of his
Sta.sh
